Something not enough people have been discussing about Oppenheimer is just how accurately they portray what the wonder and awe of physics feels like. I remember watching the thought sequences and near obsession Oppenheimer had with stars and quantum mechanics, and between the visuals and the music, it just resonated *so hard with me.*
The phrase, “can you hear the music?” so perfectly describes what made me fall in love with physics in the first place. It’s something so *beyond* the scope of human existence; a hidden score that the universe harmonizes to. I so often feel like movies either downplay science or glorify it to seem less taxing and tricky than it is, but I feel like Oppenheimer found the sweet spot. To quote someone I saw review the trailer, they “made scientists (and for that matter physicists) cool again.” Anyways, just thought that was neat and figured I’d share my nerdy little thoughts since there’s so much barbenheimer everywhere and I can’t seem to find just Oppenheimer appreciation. Do love barbenheimer though.
I originally had typed up a whole ass angry rant about how fucking awful some of the takes are about Oppenheimer (it seems primarily from people who haven’t even seen the fucking film), but I decided against posting it (and then I wrote this which now that I’m reading over it, still ended up being a bit of an angry fucking rant so oops).
But what I will say is that the film does not glorify the bomb or what it was used for. So please shut the fuck up about that. Also, this is a story about J. Robert Oppenheimer. The bomb is a large part of the story because it was a huge part of his life. But the focus is on him and his emotional journey through the film. They are trying to pack about 600 pages of dense material into three hours. There is simply not enough time to go on a side quest to address a lot of the things many of you are insisting be addressed. Especially when Oppenheimer himself was not directly involved in them.
I’ve seen many people say that this story should never have been told. And, kindly, fuck you. We live in an age where people are constantly trying to change, discredit, or dismiss history. We desperately need more people to become engaged with it again. Prior to this film, there were a whole ton of people who had been so failed by their history classes they had no idea who J. Robert Oppenheimer even was. People still know alarmingly little about the bomb and the scientists who worked on it and if this film allows them to be more interested/educated in that topic, that’s a win.
This film brings to light more than just the bomb. It’s a discussion on morality and the relationship between scientists and the government.
Also, you don’t get to say that a piece of art shouldn’t be made just because it makes you fucking uncomfortable. Don’t consume that piece of art, then. But you have no right to say someone shouldn’t make something, or others shouldn’t consume or enjoy it just because it makes you uncomfortable.
it’s been a day since i’ve seen oppenheimer and i am convinced you bitches have no media literacy whatsoever how do you watch that film and think that it glorifies the bombs being made??? how is it pro america when it criticizes so much about america??? how is it pro fascist when it is about a jewish scientist who originally started his research so the nazi government wouldn’t have a bomb???
Just saw someone on Twitter complain about the lack of Japanese people in Oppenheimer, and what did you expect??? Did you want the final act to be the bomb dropping and see people burning alive???
The reason why we don’t see a Japanese perspective is because one, including a Japanese perspective, just to see how bad the suffering was would be exploitation. Two, to see an accurate and sensitive take on how the japanese felt about Oppenheimer, Christopher Nolan (as incredible as he is) isn’t the right person to do this. And three, it’s based on Oppenheimer’s biography
Oppenheimer, the movie, literally shows you white people doing something evil and just incredible inhumane because they removed themselves away, both emotionally and physically, from the people they are hurting. Nagasaki and Hiroshima only exist in those men’s distant thoughts and imaginations. One guy literally asks to take a city off the bombing because that’s where he had his honeymoon. It’s disturbing and unsettling, as if those people were not real human beings. The lack of Japanese people drives the entire point home.
Also, Japanese cinema is right there. Barefoot Gen, Grave of the Fireflies, or Hiroshima (responsible for showing to many Americans the effects of the bombs for the first time) are just a few of the many, many decades of post-war Japanese movies we have
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